Performative Iconography: Empowering the Cinematic Trope

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dc.contributor.authorGottdiener, Anna
dc.date.accessioned2022-04-27T14:50:52Z
dc.date.available2022-04-27T14:50:52Z
dc.date.issued2022-04
dc.descriptionRecommended citation: Gottdiener, Anna. "Performative Iconography: Empowering the Cinematic Trope." Q: Journal of Undergraduate Research & Inquiry, 2022. https://doi.org/10.48497/N95D-MX02en_US
dc.description.abstractUntitled Film Still #16 by Cindy Sherman, Marxism in Art: Beware of Fascist Feminism by Hannah Wilke, and La Notte by Michelangelo Antonioni are analyzed through the lens of feminism, iconography and film theory. Second-wave feminist criticism of Sherman’s and Wilke’s work as narcissistic is challenged. Superficially labeling performative female artists who use their own body for expression is a result of internalized misogyny. Association of women’s external identity performance with internal values stems from patriarchal thought. Instead of being limited to just a masculine representation of self, feminists can represent themselves with traditionally feminine symbolism and still be revolutionary. This essay was written in Dr. Rosemarie Trentinella’s ART 225 class.en_US
dc.description.sponsorshipQ: Journal of Undergraduate Research & Inquiry is sponsored by the University of Tampa’s Office of Undergraduate Research and Inquiry and Dr. Eric Freundt. This volume of Q was produced in Dr. David Reamer’s WRI 376 class in Spring 2022.en_US
dc.identifier.citationGottdiener, Anna. "Performative Iconography: Empowering the Cinematic Trope." Q: Journal of Undergraduate Research & Inquiry, 2022. https://doi.org/10.48497/N95D-MX02en_US
dc.identifier.doihttps://doi.org/10.48497/N95D-MX02
dc.identifier.urihttp://hdl.handle.net/20.500.11868/3073
dc.language.isoen_USen_US
dc.publisherKeyhole Press, The University of Tampaen_US
dc.sourcehttps://utampa.dspacedirect.org/server/api/core/bitstreams/8df012f0-53c2-4fd7-b32e-59c2355c1677/content?authentication-token=eyJhbGciOiJIUzI1NiJ9.eyJlaWQiOiIwZDMyZGE0Yi1iNGQ2LTQ0MzUtODM5OS1jZDViNTIzYWIwZGUiLCJzZyI6WyI1ODMyNjM1Yy0wNTYwLTQzOTQtYmU5Mi1iNDlkYzllMTg4MDYiLCI1ODMyNjM1Yy0wNTYwLTQzOTQtYmU5Mi1iNDlkYzllMTg4MDYiXSwiYXV0aGVudGljYXRpb25NZXRob2QiOiJsZGFwIiwiZXhwIjoxNzA1NjA5MDgwfQ.psPla5qdZ_9ITnBEZOoUuYEmBiIWndC7cxqCyQ72Nro
dc.subjectFemme Fataleen_US
dc.subjectFeministen_US
dc.subjectDouble-binden_US
dc.subjectPerformative Iconographyen_US
dc.subjectFeminineen_US
dc.titlePerformative Iconography: Empowering the Cinematic Tropeen_US
dc.typeArticleen_US

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