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Dissecting Picasso’s Political Identity: Three Nude Paintings

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dc.contributor.author Stitt, Amber
dc.date.accessioned 2017-10-16T20:52:46Z
dc.date.available 2017-10-16T20:52:46Z
dc.date.issued 2009
dc.identifier.uri http://hdl.handle.net/20.500.11868/212
dc.language.iso en_US en_US
dc.publisher College of Art and Design, The University of Tampa en_US
dc.subject Picasso, Pablo, 1881-1973 en_US
dc.subject Guernica (1937) en_US
dc.subject Spain en_US
dc.subject The Charnier (The Charnel House) (1945) en_US
dc.subject Nude in art en_US
dc.subject Massacre in Korea (1951) en_US
dc.subject Politics and art en_US
dc.title Dissecting Picasso’s Political Identity: Three Nude Paintings en_US
dc.type Article en_US


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